An end to the input-output dichotomy in AI copyright? Like Company v Google takes an unexpected turn

Copyright arguments in C-250/25 Like Company v Google have shifted towards the relationship between AI training inputs and generated outputs. The hearing has raised a specific question about whether that distinction should remain central to the copyright analysis. If accepted, the point would affect how copyright claims are framed where AI systems are involved.

The issue matters because the input-output dichotomy has often been used to separate the material fed into a system from the material produced by it. In copyright terms, that separation can affect how legal responsibility is assessed. A narrower focus on one side of the process may leave important parts of the dispute outside the immediate analysis, while a broader approach may pull both stages into the same legal assessment.

For rightsholders, the practical significance lies in whether the law treats the training stage and the generation stage as legally distinct or as part of a single chain. If the distinction is weakened, copyright disputes may turn less on isolating the moment of copying and more on the overall way the system operates. That would make the legal characterisation of AI use more sensitive to the full technical process.

The discussion also has procedural importance for how future claims are presented. A court that moves away from a strict input-output divide would require parties to address the connection between what is ingested and what is produced, rather than treating those questions separately. That could alter both the structure of arguments and the evidence needed to support them.

The legal risk is that the outcome may redefine how copyright analysis applies to AI systems by reducing the usefulness of the input-output dichotomy as an organising principle.

Disclaimer: This post is for general information only and does not constitute legal advice. Specific advice should be sought for your particular circumstances.
Source: